There are some books one feels should be described as if they were wines, with that same loving attention to their physical qualities, to body and fullness and finish. Calendars is such a book. These are vintage poems. . .
Wendy Taylor Carlisle
There are some books one feels should be described as if they were wines, with that same loving attention to their physical qualities, to body and fullness and finish. Calendars is such a book. These are vintage poems. . .
Wendy Taylor Carlisle
An oracle, an ecstatic maenad: that is the kind of traditional poet Annie Finch is. . .Calendars is a book that rewards rereading, for Finch’s beauties reveal themselves slowly. . . The book’s deeper beauties await that second and third and fourth visit. This is a book that will last.
Patricia Monaghan
In her third full-length collection, Finch focuses on the cyclical and seasonal, centering on themes of birth, death, family and artistic lineage, sexuality and female spirituality. . . Finch almost always draws one in with an unnerving and utterly unexpected phrase or image.
Publishers Weekly
. . . She gets it. Her commitment is to the language . . .
Ron Silliman
Annie Finch is a great love poet. Calendars is the work of a major poet, one of very few who understand how lyric lives in part because it can speak for something larger than the ego. Annie Finch understands better than any contemporary I know what poetry feels like and sounds like when it is completely at home in its traditions.
Charles Altieri
Finch is more shaman than formalist. She is keenly aware of the shape and sound of her poems. Whether in a chant, sonnet, ghazal, or even Billy Collins’ contrived paradelle, her skill is effortless: Form is merely the skin that allows her poems to breathe with ease.
Cindy Williams Gutiérrez, Calyx
Sympathies, passions–so often the opposite of actions—are so intensely held, wrung and used, that Annie Finch’s poems spread themselves like so much fresh laundry: sweet, abstergent, redressed.
Richard Howard