Among the Goddesses: An Epic Libretto in Seven Dreams

Among the Goddesses is a work of ritual poetic theater that places abortion in a sacred context. Finch’s “epic libretto” traces the harrowing  journey of Lily (Lilith) through encounters with seven archetypal goddesses: Isis, Astarte, Diana, Hecate, Demeter, Kali, and Inanna.  As Lily moves through friendship, loss, rape, and finally a mythic experience of abortion, she discovers her own spiritual strength.  

Combining rhythmic, narrative, and dramatic vocabularies, Among the Goddesses evokes the communal, oral origins of poetry and the archetypal roots of women’s power. The work can be approached in three ways: sung to music, performed as ritual theater, or read in book form as a feminist epic poem.  However, it is encountered, Among the Goddesses voices the power of the goddess and of poetry in today’s culture.

Publisher: Red Hen Press
Publish Date: October 1, 2010
Pages: 88
Language: English
9781597091619

From The Publisher

In two intertwined songs, a feminist epic poem and a dreamlike opera libretto, Among the Goddesses traces one woman’s harrowing mythological journey of discovery. Tutored by encounters with seven Goddesses, both frightening and nurturing, Marie/Lily is tested by loss, rape, and abortion as she finds her community and her spiritual strength. This magical book embodies the goddesses in every woman and gives voice to the power of the feminist spirituality movement.

Excerpt

Invocation

One plume of salt-spray thrown up by a rock-face,
one pebble left on the shore where it lands.
There is no end if there was no beginning,
so help me to tell where this ending began,
gathering women who touch, who honor,
who loom traditions through the body of earth.
Please lend me your voices, and some of our stories,
to spiral this shell through the layers of sand.
When it began, I was travelling in Oregon . . .

Awards

More Information

 

From the Judges’ Citation, Sarasvati Award:

“Winner of the poetry award was Annie Finch for Among the Goddesses (Red Hen Press). In making their decision, the judges praised the poet’s penetrating connection of mythic figures with contemporary women’s issues as well as the bold centralizing of the conflicted issue of abortion at the book’s center.

The crafted narrative that links the individual poems was also singled out for praise by judges who noted that “the American reading public is less comfortable with non-narrative forms, so providing a strong story that draws the reader through the book was a decision that opened this intensely-crafted work to more readers.” Yet the individual poems themselves were also praised as “high-caliber and high-octane poems in diverse voices” as well as “breaking away from the overwhelmingly self-centering personal voice that limits much contemporary poetry, while retaining the immediacy of dialogue.” A final unique quality praised by the judges was the potential of the work for public performance, which opens the work to larger audiences as well as to collaboration with artists in other media.”

Links 

Annie’s Column “Choice Among the Goddesses: Or How I Finally Wrote About My Abortion”

Reviews